Deiksis dalam Film Pendek Tilik Karya Bagus Sumartono: Analisis Pragmatik

Abstract

This study examines deixis in Bagus Sumartono's short movie Tilik from a pragmatic perspective. The objectives of this research are to describe the types and structures of deixis found in the film. Using a qualitative descriptive approach, data was collected and analyzed by understanding the conversations between the speakers in the film. The data collection method employed was observation. Data analysis was conducted using pragmatic matching with the technique of identifying determining elements. The results show that there are three types of deixis found in the short movie Tilik: person deixis, time deixis, and discourse deixis. These three types of deixis are then further divided into several subcategories. Person deixis has six subcategories: First-person singular aku, kulo, tak, saya, -ku, second-person singular Njenengan, kowe, -mu, second-person singular kinship terms Bu, Yu, Mbak, second-person singular title terms Bu Lurah, Pak Polisi, second-person plural Do, Njenengan, and third-person singular De e/deweke, -ne,-e. Time deixis has three subcategories: Present time Saiki, future time Ngko, Sek, and past time Mau, Mbiyen. Discourse deixis is divided into four subcategories: Deictic words indicating place and person Mriki, Kene, Kono, Kui, deictic words indicating source Soko, deictic words indicating place Neng ngarep, and deictic words indicating place names Rumah Sakit, Desa. The structure of Javanese deixis in the short movie Tilik has four types of structures, including: the combination of person deixis and time deixis Aku Mau, the combination of person deixis and discourse deixis Aku Ki, Kowe Ki, Njenengan Ki, the combination of time deixis and discourse deixis Saiki Ki, Mbiyen Kae, and the combination of discourse deixis and time deixis Niki Mau, Kui Mau, Mriki Riyen.