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dc.contributor.advisorZulkifli
dc.contributor.authorNugroho, Fadjar Dwi
dc.date.accessioned2025-07-24T02:40:38Z
dc.date.available2025-07-24T02:40:38Z
dc.date.issued2025
dc.identifier.urihttps://repositori.usu.ac.id/handle/123456789/106645
dc.description.abstractThis study aims to examine the social practices carried out by the cosplay photographer community Mirai Kameko in Medan City and how these practices are utilized to create economic opportunities. The study employs a qualitative approach using Pierre Bourdieu’s social practice theory as the analytical framework, emphasizing the concepts of habitus, social capital, cultural capital, symbolic capital, and field to understand the community dynamics and economic opportunities formed. Data were collected through participatory observation at various cosplay events, in-depth interviews with community members, and documentation studies of the community’s social media. The data analysis was conducted thematically, referring to Bourdieu’s concepts to explore how social structures and individual practices interact to shape experiences and economic opportunities. The results show that the Mirai Kameko community carries out structured social practices in the form of photography ethics, collaboration among members, and utilizing social media as a digital arena to build networks and professional image. The community’s habitus is reflected in the habit of asking for permission before photographing cosplayers and the collective sharing of tasks (job sharing), which supports solidarity and knowledge transfer among members. The community’s social capital is built through active relationships with other communities and event organizers, while cultural capital is obtained from technical and cultural knowledge acquired both formally and informally. Symbolic capital emerges through social recognition that is not in the form of formal competition but through equal social interaction and appreciation of shared works. Furthermore, these social practices clearly open new economic opportunities for community members, such as securing photography projects beyond cosplay events, collaboration with other photographers, and serving as instructors in workshops. Social media plays a vital role in expanding networks and attracting clients, which strengthens the community’s position within the local creative industry. This study reveals that the Mirai Kameko community is not merely a hobbyist group but also an effective space for producing social and cultural capital that creates creative economic opportunities.en_US
dc.language.isoiden_US
dc.publisherUniversitas Sumatera Utaraen_US
dc.subjectSocial Practiceen_US
dc.subjectPierre Bourdieuen_US
dc.subjectCosplay Photographer Communityen_US
dc.subjectEconomic Opportunityen_US
dc.subjectCreative Industryen_US
dc.subjectCreative Economyen_US
dc.titlePraktik Sosial Komunitas Fotografer Cosplay Mirai Kameko di Kota Medanen_US
dc.title.alternativeSocial Practices of the Cosplay Photographer Community Mirai Kameko in Medan Cityen_US
dc.typeThesisen_US
dc.identifier.nimNIM210905040
dc.identifier.nidnNIDN0001116003
dc.identifier.kodeprodiKODEPRODI82201#Antropologi Sosial
dc.description.pages125 Pagesen_US
dc.description.typeSkripsi Sarjanaen_US
dc.subject.sdgsSDGs 8. Decent Work And Economic Growthen_US


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