Tinjauan Yuridis Terhadap Pembayaran Royalti Atas Penggunaan Lagu Dalam Penampilan Langsung (Live Performance) Secara Komersial Oleh Penyelenggara Acara Di Kota Medan

Abstract

This research examines the legal consequences arising from the responsibilities of event organizers in paying royalties to songwriters after using their songs in commercial live performances. The study analyzes two cases: PT. Aqkeepro, an event organizer that complies with royalty obligations, and “Fivelife,” an event that failed to do so. The research addresses three main questions: How is the legal regulation of royalty payments for commercial use of songs in live performances in Indonesia; What are the legal responsibilities of event organizers in fulfilling royalty obligations; What solutions can be implemented to overcome obstacles in royalty payment implementation in Medan City This study employs a normative juridical research method supported by field research. Data collection was conducted through literature review and case studies, analyzing primary legal materials such as Law Number 28 of 2014 on Copyright and Government Regulation Number 56 of 2021 on the Management of Copyright Royalties for Songs and/or Music, as well as secondary materials including legal literature, journals, and expert opinions. The findings indicate that legal regulation of royalty payments for commercial live performances still requires clarification through technical guidelines that are easy to understand. The government, particularly the Ministry of Law and Human Rights, is expected to provide a practical digital licensing system integrated with LMKN to facilitate event organizers in obtaining permits and paying royalties. Public awareness must also be raised through training, media campaigns, and cooperation with event organizer associations. Legal responsibilities must be reinforced through consistent law enforcement and socialization to ensure compliance. In Medan, overcoming obstacles to royalty payments requires the development of digital applications, intensive outreach, and the formation of a joint supervisory team involving LMKN, law enforcement, and cultural agencies. With effective coordination and strong policy support, the economic rights of songwriters can be better protected optimal.