| dc.contributor.advisor | Pohan, Riko Andika Rahmat | |
| dc.contributor.author | Aritonang, Rohana Kristina | |
| dc.date.accessioned | 2025-10-16T06:53:57Z | |
| dc.date.available | 2025-10-16T06:53:57Z | |
| dc.date.issued | 2025 | |
| dc.identifier.uri | https://repositori.usu.ac.id/handle/123456789/109622 | |
| dc.description.abstract | Background: Plot is an important element in a film because it serves as a
framework that determines the development of the story and the audience's
experience. Greg Jardin's film It's What's Inside (2024) offers a unique concept of
body swapping packaged in the genres of thriller, dark comedy, and science
fiction. The complexity of the plot and the dynamics of the characters in this film
present a challenge for analysis using classic structural models such as Freytag's
Pyramid.
Objective: This study aims to describe the plot structure of the film It's What's
Inside (2024) based on Freytag's Pyramid and explain how the plot twist at the
end of the story is supported by the type of plot used.
Method: The method used is qualitative descriptive. Data was collected from the
film, script, critic reviews, and audience discussions on online media. The
analysis was conducted by dividing the story into the five stages of Freytag's
Pyramid: exposition, rising action, climax, falling action, and resolution.
Resultss: The results of the study show that this film clearly follows the structure
of Freytag's Pyramid. The beginning introduces the eight main characters at a
wedding party. The conflict escalates when the body-swapping machine is used,
reaching its peak when the balcony collapses and kills two characters. The falling
action reveals Beatrice's manipulation, and the resolution closes the story with a
surprising ending. The plot type used is an ensemble plot with added elements of
mystery and thriller.
Conclusion: The film It's What's Inside (2024) successfully combines modern
ideas with a classic structure. The story not only presents the conflict of body
swapping, but also reveals the dark side, secrets, and identities of the characters.
This proves that Freytag's classic Pyramid model is still relevant for analyzing
films with new and unique concepts. | en_US |
| dc.language.iso | id | en_US |
| dc.publisher | Universitas Sumatera Utara | en_US |
| dc.subject | Plot | en_US |
| dc.subject | Freytag's Pyramid | en_US |
| dc.subject | It's What's Inside | en_US |
| dc.subject | Body Swapping | en_US |
| dc.subject | Thriller | en_US |
| dc.title | A Description Of Plot In It's What's Inside Movie | en_US |
| dc.title.alternative | Deskripsi Plot Dalam Film It's What's Inside | en_US |
| dc.type | Thesis | en_US |
| dc.identifier.nim | NIM222202059 | |
| dc.identifier.nidn | NIDN0009068402 | |
| dc.identifier.kodeprodi | KODEPRODI79402#Bahasa Inggris | |
| dc.description.pages | 41 Pages | en_US |
| dc.description.type | Kertas Karya Diploma | en_US |
| dc.subject.sdgs | SDGs 4. Quality Education | en_US |