Pelindungan Hukum bagi Pencipta Lagu Terhadap Penggunaan Musik dan Lagu dalam Acara Karaoke Komersial yang Diselenggarakan oleh Komunitas Penggemar Ditinjau dari Undang-Undang No. 28 Tahun 2014 tentang Hak Cipta

Abstract

Commercial karaoke events held by fan communities have become a growing cultural phenomenon in Indonesia. These events often involve the use of copyrighted music and songs in public settings, sometimes with commercial elements such as ticket sales, merchandise, or sponsorship. Such practices raise legal concerns regarding the use of copyrighted works without proper authorization. This research aims to analyze the legal protection afforded to songwriters whose works are performed or played in community-based karaoke events, particularly under the provisions of Law Number 28 of 2014 on Copyright. This study uses an empirical juridical approach, focusing on statutory analysis and supported by primary data collected through interviews with event organizers, venue managers, and representatives from Collective Management Organizations (LMKs). The research also applies statutory and conceptual approaches, with data processed through qualitative analysis and conclusions drawn deductively. The findings reveal that many fan-based community organizers are unaware of their obligations regarding music licensing and royalty payments. This creates a legal gap between regulation and practice. In Indonesian copyright law, performing rights are part of a songwriter’s economic rights, and any public use of music including karaoke performances—must be licensed and compensated through LMKs and the National Collective Management Organization (LMKN). Therefore, greater legal awareness and accessible licensing mechanisms are crucial to ensure the protection of songwriters in public and commercial uses of their work.