| dc.contributor.advisor | Pujiono, Mhd | |
| dc.contributor.advisor | Jessy | |
| dc.contributor.author | Fina, Neylan Syarah | |
| dc.date.accessioned | 2019-04-04T02:29:31Z | |
| dc.date.available | 2019-04-04T02:29:31Z | |
| dc.date.issued | 2019 | |
| dc.identifier.uri | http://repositori.usu.ac.id/handle/123456789/13081 | |
| dc.description.abstract | The title of this research is "Ecranization Novel into huózhe 《活着》Films by Yu Hua". The focus of this research is describe the ecranization of the novel into the huózhe 《活着》film. This study aims (1) to describe the forms of addition, contraction and variety changes that occur in the plot of the novel to the film Huózhe 《活着》film. The theory used in this research is the Ecranization theory by Pamusuk Eneste and Intrinsic Elements theory by Burhan Nurgiyantoro. The method used in this research is descriptive qualitative method. Data of this research is a form of the novel into ekranisasi 活着(huózhe; To Live) film in the form of text on a novel and form subtitle on the film scene. The source of this research data is the novel and movie 活着(huózhe; To Live). Data collection techniques used in discussing and solving the problems of this research are reading, watching, and taking notes. Then analyze the forms of addition, contraction and variety changes that exist in the plot of the novel to活着(huózhe; To Live) film. The results of this study indicated (1) depiction of the plot in Yu Hua's To Live novel (2) depiction of the plot in the Huózhe《活着》(3) the addition, contraction and variety changes in the exposition stage of the novel to Huózhe 《活着》film (4) the complication stage of the novel to Huózhe《活着》film (5)the climax stage of the novel to Huózhe《活着》film (6) the falling action stage of the novel to to Huózhe《活着》film (7) the denouement stage of the to Huózhe《活着》film. | en_US |
| dc.description.abstract | Judul penelitian ini adalah “Ekranisasi Novel ke Film huózhe《活着》karya Yu Hua”余华《活着》小说故事对电影的改编(Yúhuá《huózhe》xiǎoshuō gùshi duì diànyǐng de gǎibiān)”.Fokus penelitian ini mendeskripsikan ekranisasi novel ke film huózhe《活着》. Penelitian ini bertujuan (1) Untuk mendeskripsikan bentuk penambahan, penciutan dan perubahan bervariasi yang terjadi pada alur dalam novel ke film Huózhe《活着》.Teori yang digunakan dalam penelitian ini adalah Teori Ekranisasi oleh Pamusuk Eneste dan Teori Unsur-Unsur Intrinsik oleh Burhan Nurgiyantoro.Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif. Data penelitian ini adalah bentuk ekranisasi novel ke film活着(huózhe ; To Live)yang berupa teks pada novel dan berupa subtittle pada cuplikan film tersebut.Sumber data penelitian ini adalah novel dan film活着(huózhe ; To Live).Teknik pengumpulan data yang digunakan dalam membahas dan memecahkan masalah penelitianini adalah membaca, menonton, dan mencatat.Kemudian menganalisis bentuk penambahan, penciutan dan perubahan bervariasi yang ada pada alur dalam novel ke film活着(huózhe ; To Live).Hasil penelitian ini menunjukkan (1) penggambaran alur pada novel To Live karya Yu Hua (2) penggambaran alur pada film Huózhe 《活着》(3) penambahan,penciutan dan perubahan pada tahap eksposisi dari novel To Live ke Film Huózhe 《活着》(4) tahap perumitan dari novel To Live ke Film Huózhe 《活着》(5) tahap klimaks dari novel To Live ke Film Huózhe 《活着》(6) tahap peleraian dari novel To Live ke Film Huózhe 《活着》(7) tahap penyelesaian dari novel To Live ke Film Huózhe 《活着》. | en_US |
| dc.language.iso | id | en_US |
| dc.publisher | Universitas Sumatera Utara | en_US |
| dc.subject | Ecranization | en_US |
| dc.subject | Novel | en_US |
| dc.subject | Film | en_US |
| dc.title | Ekranisasi Novel Ke Filmhuózhe《活着》Karya Yu Hua | en_US |
| dc.title.alternative | 余华《活着》小说故事对电影的改编 Yúhuá《Huózhe》Xiǎoshuōgùshi Duìdiànyǐngdegǎibiān | en_US |
| dc.type | Thesis | en_US |
| dc.identifier.nim | NIM140710070 | en_US |
| dc.identifier.submitter | Akhmad Danil | |
| dc.description.type | Skripsi Sarjana | en_US |
