Show simple item record

dc.contributor.advisorRithaony
dc.contributor.advisorSebayang, Vanesia Amelia
dc.contributor.authorSihotang, Efrydo Duandy
dc.date.accessioned2023-11-09T01:49:46Z
dc.date.available2023-11-09T01:49:46Z
dc.date.issued2023
dc.identifier.urihttps://repositori.usu.ac.id/handle/123456789/88795
dc.description.abstractThis research discusses the process of making Sarune Etek musical instrument made by Sultan Simanihuruk and also how to play sarune etek. The methods used in this research are descriptive and qualitative methods with data and information collection, observation methods, documentation, field notes, direct interviews, and literature studies. The theory used by researchers is the study of structural and functional approaches pioneered by Shusumu Khasima and CurtSach & Hornbostel is a classification system of musical instruments based on the main source of vibration, and to analyze the gondang sibukka the mind uses the approach proposed by Nettl, which is to analyze and describe what music is heard, and write the music down on paper and describe what has been seen, as well as the approach proposed by William P. Malm, namely the things that must be analyzed and described. Malm, namely the things that must be considered in describing melodies, namely: scales, pitch centers, pitch regions, number of tones, number of intervals, cadence patterns, melodic formulas, and contours. The results obtained from this study indicate that sarune etek is included in aerophone (oboe single reed), the process of making sarune etek starts with preparing materials, measuring materials, cutting materials and forming sarune etek materials. This process uses modern tools such as lathes, grinding machines, electric drilling machines and wood cutting machines. The materials used consist of jior wood, kaffir lime and bamboo. In playing sarune etek, there are basic techniques that are often used by sarune players, namely marsiulak hosa (circular breathing,) Mandila-dila, Manghapit, Manganak-anaki, and Mangarak-araki techniques. In the Gondang Hasapi ensemble, sarune etek functions as a melody carrier, and sarune etek uses pentatonic scales namely es-f-g-as-bes and in Opera Batak or Uning-uningan sarune etek uses diatonic scales namely es-f-g-as-bes-c-d-es oktav. The conclusion in this study is that in the process of making sarune etek by Sultan Simanihuruk is done in a fairly short time, the tools and materials used in the process of making sarune etek can affect the quality of the sound produced by the sarune etek.en_US
dc.language.isoiden_US
dc.publisherUniversitas Sumatera Utaraen_US
dc.subjectsarune eteken_US
dc.subjectbatak tobaen_US
dc.subjectmanufacturing processen_US
dc.subjectplaying techniquesen_US
dc.subjectSDGsen_US
dc.titleDeskripsi Teknik Pembuatan dan Permainan Sarune Etek Batak Toba oleh Sultan Simanihuruk di Desa Simanindo Kecamatan Simanindo Kabupaten Samosiren_US
dc.typeThesisen_US
dc.identifier.nimNIM190707007
dc.identifier.nidnNIDN0016116305
dc.identifier.nidnNIDN0020118801
dc.identifier.kodeprodiKODEPRODI91201#Etnomusikologi
dc.description.pages100 Halamanen_US
dc.description.typeSkripsi Sarjanaen_US


Files in this item

Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record