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dc.contributor.advisorMarulafau, Siamir
dc.contributor.authorFatikha, Nindi Dwi
dc.date.accessioned2024-01-19T03:16:24Z
dc.date.available2024-01-19T03:16:24Z
dc.date.issued2023
dc.identifier.urihttps://repositori.usu.ac.id/handle/123456789/90392
dc.description.abstractThis research discusses the Reog Ponorogo performance which is a folk dance art originating from the city of Ponorogo, East Java. Reog is a traditional dance in an open area that functions as folk entertainment and contains magical elements. The author's method uses a qualitative descriptive method to find and collect and analyze data by reading the data then asking questions to the sources, describing the data that has been collected and finally making conclusions. The results of the study that the presentation form of Reog Ponorogo Art is non-representative seen through the elements of the dance presentation form, namely: movements, dancers, floor patterns, music, costumes, makeup, properties, time and place of performance. From the structured performance beginning with jathilan dancers, warok, Bujangganom, Klana Sewandona, Singabarong then the procession.en_US
dc.language.isoenen_US
dc.publisherUniversitas Sumatera Utaraen_US
dc.subjectOrigin of Reog Ponorogoen_US
dc.subjectCultureen_US
dc.subjectTraditionen_US
dc.subjectPerformance Reogen_US
dc.subjectSocial Valuesen_US
dc.subjectSDGsen_US
dc.titleA Description of Meaning and Function of Reog Ponorogo Performance in East Javaen_US
dc.typeThesisen_US
dc.identifier.nimNIM202202043
dc.identifier.nidnNIDN0017055803
dc.identifier.kodeprodiKODEPRODI79402#Bahasa Inggris
dc.description.pages47 Halamanen_US
dc.description.typeKertas Karya Diplomaen_US


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