| dc.contributor.advisor | Pujiono, Mhd. | |
| dc.contributor.advisor | Alimansyar | |
| dc.contributor.author | Rahmadsyah, Fikri | |
| dc.date.accessioned | 2024-03-20T03:24:31Z | |
| dc.date.available | 2024-03-20T03:24:31Z | |
| dc.date.issued | 2023 | |
| dc.identifier.uri | https://repositori.usu.ac.id/handle/123456789/92602 | |
| dc.description.abstract | This research discusses the function of yobikake kandoushi in the lyrics of idol group 22/7 songs. The purpose of this study is to find out what kandoushi yobikake are and the function of kandoushi yobikake in the lyrics of idol group 22/7 songs. The type of research used is descriptive qualitative research. The data taken are idol group 22/7's song lyrics sourced from 68 song titles performed by idol group 22/7. The theories used in this research are grammatical semantic theory and pragmatic theory. The methods used in collecting data is by listening and using the technique of Simak Bebas Libat Cakap (SBLC). The results showed that there are three yobikake expressions contained in the lyrics of the song 22/7. This causes most of the functions of the kandoushi yobikake to be for a call and is dominated by the expressions さあ (saa) and ねえ(nee). | en_US |
| dc.language.iso | id | en_US |
| dc.publisher | Universitas Sumatera Utara | en_US |
| dc.subject | kandoushi | en_US |
| dc.subject | yobikake | en_US |
| dc.subject | idol group 22/7 | en_US |
| dc.subject | semantics | en_US |
| dc.subject | pragmatics | en_US |
| dc.subject | SDGs | en_US |
| dc.title | Fungsi Kandoushi Jenis Yobikake pada Lirik-Lirik Lagu Idol Group 22/7 | en_US |
| dc.title.alternative | Aidoruguruupu No Kashi Ni 22/7 No Yobikake-Shiki Kandoushi Kinou | en_US |
| dc.type | Thesis | en_US |
| dc.identifier.nim | NIM190708072 | |
| dc.identifier.nidn | NIDN0011106905 | |
| dc.identifier.nidn | NIDN0003117503 | |
| dc.identifier.kodeprodi | KODEPRODI79204#Sastra Jepang | |
| dc.description.pages | 86 Pages | en_US |
| dc.description.type | Skripsi Sarjana | en_US |
