Analisis Teks dan Struktur Musik Irama Padang Pasir Grup Barzanji Marhaba An-Nazhom pada Acara Pernikahan di Kecamatan Medan Tembung Kota Medan

Abstract

This article discusses the meaning of text and the structure of rhythmic music in the sand at weddings in Medan Tembung sub-district, Medan city. The Barzanji Marhaba An- Nazhom group is an orchestra group that focuses on performing and preserving desert rhythm music in the city of Medan. The Barzanji Marhaba An-Nazhom group was formed by Ustad Soleh Rambe and currently has six members. There are two songs that are often sung by the Barzanji Marhaba An-Nazhom orchestra group, especially at weddings, namely "Kasih Sayang Bunda" and "O Mawar". This research aims to analyze the meaning of the text and musical structure of the two songs performed by the Barzanji Marhaba An- Nazhom group at a wedding event. Explaining these two things, the author uses the field work and desk work methods proposed by Bruno Netll. The theory used to answer the problem formulation in this paper is the semiotic theory pioneered by Roland Barthes regarding the meaning of denotation and connotation and the weighted scale method proposed by William P. Malm. The results of the research reveal that the two songs “Kasih Sayang Bunda” and “O Mawar” both want to convey a sense of admiration for women. A woman who is able to become a mother who sacrifices for her child's future.