dc.contributor.advisor | Fadlin | |
dc.contributor.advisor | Ginting, Yoe Anto | |
dc.contributor.author | Hasibuan, Bontor Andre Yosua | |
dc.date.accessioned | 2024-12-04T08:13:12Z | |
dc.date.available | 2024-12-04T08:13:12Z | |
dc.date.issued | 2024 | |
dc.identifier.uri | https://repositori.usu.ac.id/handle/123456789/99147 | |
dc.description.abstract | This study examines the process of making and playing techniques of the traditional
musical instrument Gendang Marwas, which is a typical cultural heritage of the
Siak Malay community, Riau. The criteria for selecting raw materials and the
manufacturing process and playing technique of the Marwas drum are the focus of
this research. This study uses a qualitative method approach with data collection
techniques carried out by observation, interviews, literature studies, and direct
documentation at the Bedelau Studio in Sungai Apit Village, Sungai Apit District,
Siak Regency, Riau Province. In this study, the author uses 4 theories that support
the research object. The theories used are the theory of musical instrument
classification systems by Curt Such, then the theory of structural and functional
approaches by Shusumu Khasima, then the theory of Physical and Verbal
Behavior by Alan. P. Merriam and the theory of transcription and describing
sounds by Bruno Nettl. The results of the study show that Marwas musical
instruments are classified as Membranophone – Frame - Double Headed
classification. In making Marwas, the resource person used the Terentang type of
wood, However, in this study, the resource person used the Terentang type of wood,
on the grounds that the wood is tougher, sturdier, and not easily broken when
falling. The skin used for making Marwas is using female goat skin because the
texture produced from female goat skin is softer. Marwas is played by hitting the
membrane using the hand with three types of sound colors produced, such as: Tung
punch (Low Sound), then there is Tak punch (High Sound), and the third punch is
the Pak punch or Senting punch (the Highest Punch). This Senting punch uses
greater hand strength than Tung and Tak's punches. The Marwas musical
instrument functions as an accompaniment and carrier of the typical Siak Malay
Zapin music and dance ritual along with Gambus Selodang. | en_US |
dc.language.iso | id | en_US |
dc.publisher | Universitas Sumatera Utara | en_US |
dc.subject | Marwas | en_US |
dc.subject | Manufacturing Process | en_US |
dc.subject | Playing Technique | en_US |
dc.subject | Malay | en_US |
dc.title | Deskripsi Proses Pembuatan dan Teknik Permainan Gendang Marwas Melayu oleh Perajin Sanggar Bedelau di Kelurahan Sungai Apit, Kecamatan Sungai Apit, Kabupaten Siak, Provinsi Riau | en_US |
dc.title.alternative | Description of The Process of Making and Playing Techniques of The Malay Marwas Drum By The Craftsmen of The Bedelau Studio in Sungai Apit Village, Sungai Apit District, Siak Regency, Riau Province | en_US |
dc.type | Thesis | en_US |
dc.identifier.nim | NIM200707035 | |
dc.identifier.nidn | NIDN0020026107 | |
dc.identifier.nidn | NIDN0006036310 | |
dc.identifier.kodeprodi | KODEPRODI91201#Etnomusikologi | |
dc.description.pages | 135 Pages | en_US |
dc.description.type | Skripsi Sarjana | en_US |
dc.subject.sdgs | SDGs 4. Quality Education | en_US |